Liverpool: D

Da Biffs – band (1989) formed by Kenny Parry (ex Liverpool Express), with Roddie Gilliard (now of Muffin Men, but check his profile), Paul ‘Rhino’ Ryan (now Muffin Men, ex Déjà vu, Munchies, Almighty Atmosphere) and a guy called Clank. A power boogie band who did a particularly smelly tour of the Isle of Man.

Da Books – band 1985-87, prev called Cook Da Books, feat; Digsy (gtr) (now of Smaller), Owen Moran (voc), John Legget (drms). Also feat; Degs (perc), Gerry Kenny (bass), Brenda Kenny (perc), Dave Clarke (vio) (the latter 2 ex sessionists with Jegsy Dodd & The Sons of Harry Cross). Rel, 7″ Living For The City (Probe Plus Mar86). Reformed in 1996 with Owen Moran (voc,keys), John Legget (drms), Robbie Watts (voc,gtr.keys) (now Mumbo Jumbo), Eddie Robbo (bass,keys). They were about to tour with Chris Rea when their manager suddenly died

D.A. Deluxe – orig name for Animated Classics

Dalek, I Love You – band Nov ’77 – Aug’78 by David Balfe (who left to join Big in Japan in ’78, later of Lori & The Chameleons, Teardrop Explodes, Food Recs) & Alan Gill (voc,keys) (later of Teardrop Explodes) who were both in the punk band Radio Blank. Also feat; David Bates (voc), Chris Hughes (bass), David Hughes (keys) (later of OMD), Hugh Jones (drms). Had numerous single rels incl; Freedom Fighters, Two Chameleons, Dalek I Love you, Holiday In Disneyland. 2 LPs, ‘Compass Kum’pas’ (1980) & ‘Dalek, I Love You’ (1983). Were orig called Dalek I for 1st 3 singles, name came from Balfe wanting to call them The Daleks & Gill wanting Darling I Love You. Andy McCluskey (later of OMD) was also briefly involved. (spotify)

Damascus – band orig called Tarot feat; Dave Bridge (gtr), Bill Campion (drms in 1986) (both ex Thin End of the Wedge), Mike Booth (bass) (later Jealous Heart), Bill Downes (voc), Chris Blackburn (drms) (also Quit Bitchin’, Kamarg). Two demo sessions were rec at Amazon Studios during 1983. With the assistance of Howard Croft as manager the number of gigs played increased and a 4 track EP was produced from the Amazon tapes. Orig sold at gigs for £1.50 it now sells via specialist web sites for around £100. c1986 Mike & Bill were replaced in an attempt to make the band more marketable, and a cassette tape was produced to sell at gigs. Rel 12″ Open Your Eyes (Ryker Recs Nov84). Howard Croft went on to manage / own several rock clubs including the Tivoli in Buckley and the Krazy House in Liverpool. (website)

Dance Party – band 1979-80 by Yorkie (later of Egypt For Now, Balcony, Space) & Mike Head (later of Egypt For Now, Pale Fountains, Shack), played their 1st gig at Wah! Heat‘s debut at The Everyman Bistro. Sounded a little like early Teardrop Explodes, but with a more overtly psychedelic edge. Rel ‘Where You’ve Been’ – Unearthed Volume One comp.

Dance The Girl – Wirral band, formed 1985, feat; David Chappell (voc,gtr) (ex Aix Ensemble), Gareth Edwards (keys) (ex Treason, Toxic Moth), Jules Crowe (bass) (ex Sleive Khan, Ad Lib). reco demos engineered by Alan Gill (Teardrop Explodes and Dalek, I Love You). Many demo’s were also rec at The Station House studio in New Brighton throughout the second half of the 80’s. Many trips to London based labels A&R depts were made but without a deal being secured. After moving to London, Crowe and Chappell formed the band Lemon who wrote/recorded songs and gigged around the city in the mid 1990’s. Crowe pursued a career as an animation compositor in London and also started the film & TV production music library TuneOmatic.com. Now older (much older!) and just a little wiser, Crowe and Chappell are now back (Jul05) working together on the early stages of a new album

Dancing Girls – 3-pc 1980 feat Holly Johnson (voc) (ex Big in Japan, Holly, later Hollycaust, Frankie Goes To Hollywood), Brian Nash (gtr), Peter Gill (drms), rec a couple of songs, nothing rel but feat on local TV performing. together a couple of months.

Dancing In Exile – Liverpool-based electronic new wave band (1985–c1990), feat; Dave King (bass), Ian Mcloughlin (voc,keys), David Greaves (gtr). Formed in 1985, the group was fronted by Mcloughlin and featured King, who had previously played with Ulterior Motive and Western Promise. They signed to Recoil Records and released the 1985 12-inch single ‘Like A Train’, which included the B-side Steals Your Heart (Like A Train). The band was known for a sleek, synth-driven sound that sat between the post-punk of King’s former projects and the emerging dance-pop aesthetic of the mid-eighties. After the group dissolved, Dave King eventually moved into a long-term career with the Irish-influenced punk-rock band The Peelers, touring extensively across Europe and North America.

Danger Quinton, There’s A Dog Behind You! – Liverpool-based experimental post-punk project (c1985). More info req’d

Danse Macabre – band (1982-83), feat; Peter Carroll (voc) (also at same time in Visual Aids and Dark Continent), Paul McNeil (gtr), Karl Anthony (bass) (later Cair Paravel), Pete Chegwin (keys) (ex Ex Post Facto, Oceanic Explorers, Innervision), Graham Gallant (drms) (left 1983 to Straight Cuts) replaced by Perry Leach (later Dream Theatre). Not to be confused with Belgian band with same name. Rel single Angel (Hexagon Recs ’83). Changed name to Innervision. Sources say Dave Hughes and Chris McGuire left Reiner Chaos to form Danse Macabre – is this the same band? Jon Genys (keys) (later Chain Gang,, Dark Continent) was also involved.

Dark Continent – band (mid 80s), feat; Pete Carrol (voc) (ex Visual Aids, Danse Macabre, Quit Bitchin), Jon Genys (keys) (later Chain Gang, ex Danse Macarbe)

Dark Delights – early (c1984) incarnation of Cair Paravel, feat; Damian Bromley (gtr) (ex Self Enforced Exile, Innervision, later Back to Nam), Bernie Ross (gtr) (later Innervision), Mike Owen (drms).

Dark Entries – band, formed as Barbed Wire in 1980, changed name in ’81. Feat; Lee Walker (voc), Lem Mellor (gtr), Grant Walker (drms), Steve ‘G’ Griffith (bass). Split after a series of riotous gigs. All bar Lem went onto form Last Night At The Fair

Das Reiner – (1983) punk band formed out of Reiner Chaos, feat; Tudor (ex Public Disgrace, later Dementia, Gone To Earth, Mr Toad & The Naughty Majorcans), Chris Dollah (voc), Oz (gtr), Dave McBellamy (drms), Jimmy McVeigh (bass) (later Dementia). Demo sounds very Lurkers influenced & feat; Funny Farm & Problem In My Head

Dassunser – band (1989-1991) feat; Jon Lippit (voc,gtr), Paul Draper (gtr), Gary Threlfall (voc,keys) (also in Joyful Process). Gigged in town and the North West, later called Hurt. Reformed as Dassunder (2008). Paul & Gary were in Riverworks. (spelling may be Dass Unser)

Davies Records – Liverpool-based independent label (c1984), run by Carl Davies. The label’s legacy rests almost entirely on its sole release, the 16-track compilation LP ‘A Secret Liverpool’, issued in July 1984. Curated by Davies, the album captured a transitional moment in the city’s underground, most notably featuring the first-ever vinyl appearance of The La’s with the track I Don’t Like Hanging. Other contributors included The Cranes, The Riotous Hues, Ellagaru, and Carnival (performing under the pseudonym Esprit!). The record, housed in a distinctive gatefold sleeve, has since become a highly sought-after collector’s item due to its documentation of the burgeoning guitar-pop and art-rock scenes that emerged in the wake of the Post-punk era.

DaVincis – guitar influenced band in the style of the Replacements, the Windbreakers formed 1984 as The Dream Play, feat; Paul McCormick (voc,gtr), Martin Smith (gtr), Chris Stevens (bass) (later Mugstar, Cicada Falls, Rattlebus), Faith Moore (drms). Changed name to The Davincis in 1985 soon after which Martin Smith was replaced by Martin Ward (ex Redo Zebri later Mugstar, Rattlebus). In 1986 Faith was replaced by Iain Bickle (ex Fire). This line-up had track ‘The Book’ on Brilliant Genius comp Ways To Wear Coats (Vulc.001), rec first John Peel session (Jan87) and rel mini-LP Eating Gifted Children. Iain married and relocated to Canada. 2nd Peel Session (Sep88) and ‘Pull’ single (on Pink Moon) were rec with Steve Ashton on drums. Mike James replaced Martin Ward on guitar for a short German tour (Nov/Dec89). Were on the same bill as Stone Roses, Happy Mondays, My Bloody Valentine amongst others. They also toured France before changing several lead guitarists, operating as a 3-piece briefly, then calling it a day due to one too many runarounds from major labels playeing their last gig in Mar90. Paul McCormick also rel a solo 12″ on Pink Moon ‘Another Day At Home’ & now lives in New York & is a member of Sumac On 08.07.02 The DaVincis (Martin W, Steve, Paul & Chris played a reunion gig at The Slaughterhouse).

Day 2 – project feat; Steve Day (Bless The Weather, 11:59, Oklamotif), Ian Powell (ex Alien Heat, 11:59). Described as a 3 voice – 2 guitar unit. Played many gigs in summer86 with a Friday night residency at Penny Lane Wine Bar. Split Sep86.

DDA Seex – band played Larks In The Park festival 1979. More info req’d

Dead Belgian – Liverpool-based prog-folk ensemble (c2007–2015), feat; Matthew Wood (acc,voc), Simon Jones (sax,mand,voc), Andy Delamere (drms,voc), Fionnuala Dorrity (voc,gtr). Originally formed to commemorate the 30th anniversary of Jacques Brel’s death, the group garnered critical acclaim for their raw, non-theatrical reinterpretations of the Belgian troubadour’s catalogue. Eschewing the polished cabaret style often associated with Brel, they utilised a junkyard folk aesthetic to breathe new life into classic compositions. This approach was captured on their 2012 debut album ‘Love & Death’, which featured standout renditions of Amsterdam, Next, and The Devil (Le Diable).

Dead Class – band (formed 2006), feat; Villy (voc,gtr), Alex Jizz-Jazz (gtr) (joined 2015), Jake Billy John (bass), Tony Vermin (drms) who replaced The Ten Foot Toads in 2008. Rel LPs ‘Boo’ (2006), ‘It’ll Damn Near Kill You’ (2008), ‘Stick’ (2010). And these singles: ‘That All You Got/ Alyeah’ (2007), ‘Age of Paranoia/ Pulse and a Heartache’ (2009), ‘Lonliest Man in the World’ (2010), ‘Horrorshow’ (2015), ‘Attack’ (2015). Played 100s gigs across UK and Ireland inc lots of festivals like Rebellion and Nice n Sleazy. They completed 7 full tours of Europe taking in Germany, France, Switzerland, Austria, Czech Rep, Belgium and Holland plus a couple of one off’s at huge festivals including Frequency Festival in Austria (2008), Bunt und Laut Festival (2011) and Krach and Bach Festival (2012). In early 2012 they went to the USA and played 12 dates across the west coast including Los Angeles, Las Vegas and San Diego. They’ve supported huge bands like Nomeansno, Star Fucking Hipsters and The Pogues’. Took a break between 2013-2015. Returned in Jul15 for just 2 dates, District, Liverpool (with Elmo And The Styx, 2 Sick Monkeys and Billy Liar) and Wonkfest at the Dome in Tufnell Park, London (with Wonk Unit, Citizen Fish, Slaves, Murderburgers, etc), which led to them being offered a headline slot at Pie Race Fest in Leeds in Nov 2015. Associated bands; Vermin Suicides, Vamos, Pete Bentham and the Dinner Ladies, Sheepy, Villy Raze band, Wanweird, Superfast Girlie Show. Managed by Simon Geddes. (website)

Dead Fly – St Helens-based independent label (c1984–1985), run by Academy Of Unrest. This short-lived imprint served as a vehicle for the town’s industrial and experimental underground, operating as a localized DIY collective. Its primary and most notable output was the April 1985 release of the ‘Sheol Hex’ 12-inch EP, a multi-artist compilation that featured contributions from The Deceased, The Beating Wing, Living In The Shadow, and The Academy

Deadly Intentions – Southport indie band (early 90s), feat; Carl Albut (voc), Lance Baggaley (gtr), Ben Caines (drms), Simon Court (bass). Rec mini-LP ‘The Roberts’ (Pinewood recs)

Dead Men’s Suits – psychedelic blue tongue in cheek band formed 1986 by Mick Bawden (aka Mick Suit) (voc) and Marc ‘Smed’ Smedley (gtr). Mick says, ‘The band went through a lot of drummers (inc Pete Fuck) and guitarists, a bass player called Lou who played our first gig at The Bierkeller (L’pool) with Moz (RIP) on drums Smed on guitar and Ezzy on guitar and me on vocals.’ This was the line-up until Chris Clarke (bass) (ex Ex-Post Facto) joined as bass player. Rec 3 demos at Amazon studios, eng by Ken Nelson (later of Coldplay engineering fame). DMS also came runner-up on Radio One Rock Wars and later rel CD. Built up a good following and headlined Earthbeat festival (Sefton Park) 2 years running. Other members may have incl, Nick Loebner (also Higgsfield, Uncle Oscar, Small Mercies), Pete ‘Cosmic’ Fuck (who rejoined on bass ’88) another guitarist (?) was ex-China Dolls.

Dead On Arrival – band (1979-81) feat; Steve Lynn (voc), Ian Jackson (bass) (later of Politburo, Jegsy Dodd, Half Man Half Biscuit), Steve Major (drms), Paul Denheyer (gtr) (later of Politburo, Fishmonkeyman). Rel a C60 tape ‘Greatest Hits’. Played a couple of times on the Wirral probably at The Hamilton and possibly at a one off concert hosted by Merseyland Alternative Radio in New Brighton, also Played Brady’s, Lincoln’s Inn, Ruthin Free Festival and local pubs. Supported Killing Joke and rec Peel Session 81. Heavily influenced by Joy Division and Magazine

Dead Or Alive – band formed May80 by Pete Burns (ex Mystery Girls, Nightmares in Wax) & Martin Healy (ex Nightmares in Wax & married to Lori of Lori & The Chameleons), with Ming (gtr), Sue James (bass), Joe Musker (drms). And 1981-83, Wayne Hussey (gtr) (ex Fox Glove later Sisters of Mercy, Mission). Main successful line up feat Pete Burns, Tim Lever (ex Activity Minimal, Modern Eon), Mike Percy (bass) (later Moderates) and Steve Coy (drms) (ex Ponderosa Glee Boys). 1st Top 40 hit was That’s The Way (I Like It) then rel debut LP ‘Sophisticated Boom Boom’ Had massive hit single You Spin Me Round Like A Record. Rel LP ‘Youthquake’ in ’84 which is still a massive cornerstone in dance music, 3rd LP in ’86 ‘Mad, Bad, And Dangerous To Know’. The unit produced 17 years’ worth of hit singles, 6 albums that have gone gold and multi-platinum worldwide. Pete Burns sadly died 23.10.16.

Dead Raze – garage punk band, feat; Matthew ‘Villy’ Cawe (voc,gtr) (also of Dead Class, Wan Weird) and Ollie Fontaine (drms,voc). Rel debut single Horrors (09.12.22). (bandcamp)

The Dead 60s – Liverpool-based ska-punk band (2003–2008), feat; Matt McManamom (voc,gtr), Ben Gordon (keys,gtr), Charlie Turner (bass), Bryan Johnson (drms). Formed from the ashes of the indie-soul outfit Pinhole, the group successfully fused the abrasive edge of post-punk with the rhythmic urgency of 2-Tone and dub reggae. After signing to Sony’s Deltasonic imprint, they achieved significant mainstream success with their self-titled 2005 debut album, which reached the UK Top 30. The record featured their breakthrough anthem Riot Radio, alongside other notable singles such as You’re Not The Law, The Last Resort, and Ghostfaced Killer. Their sound, heavily influenced by The Specials and The Clash, made them staples of the mid-2000s festival circuit and saw them tour extensively in the USA, where they gained a cult following. They released a second, more pop-oriented album, ‘Time To Take Sides’, in 2007 before disbanding the following year.

Dead Trout – punk band (1976-80), feat; Jon Egan (later The Revolutionary Army of the Infant Jesus) and Julian Hargreaves, who were the core members, and Frank McLory (bass). Feat on the ‘Street To Street, A Liverpool Compilation’ LP with the track The Arab. Some members from Widnes and Warrington, played with The ID at Eric’s. Changed their name to Think of The Winter for a while and disbanded when some members went to Uni. Also feat Vincent McGrail (also of Revolutionary Army)

Deaf School – band (Jan74–Apr78) feat Steve Allen (voc) (aka Enrico Cadillac) (later Original Mirrors, Tremblers, Perils of Plastic), Clive Langer (aka Cliff Hanger) (later Big in Japan, Clive Langer & The Boxes), Bette Bright (voc) (later of Illuminations), Max Ripple, Tim Whittaker (drms) (later Lori & The Chameleons, Pink Military, Gale Force), Ian Richie (sax) (later Jane Aire & The Belvederes), Steve Lyndsey (bass) (later Big in Japan, Secrets, Planets). Paul Pilnick (gtr) (ex Stealers Wheel) played with Deaf School (Nov75-Jun76). Rel 3 singles on Warner Bros Recs, What A Way To End it All (1976), Taxi (’77), Thunder & Lightning (’78), & 3 LPs ‘2nd Honeymoon’ (’76), ‘Don’t Stop The World’ (’77) & ‘English Boys, Working Girls’ (’78). Other members have been Roy Holder (gtr) & his eventual wife Sandy Bright (voc), Mike Evans (sax), Hazel Bartram (voc), Eric Shark (drms). Castle Communications Recs rel a dbl CD anthology ‘What A Way To End It All’ (Jan04) feat; all 3 LPs incl Peel sessions. Regarded as one of the most influential bands & 1st bands of the alternative L’pool scene. Have been active again since 2009. (Listen to Peel session)

Dean Johnson & The British Invasion – band (c1987) formed by Dean Johnson (ex Language). Rel live tape of a gig at Southport Arts Centre 25.7.87. Dean last heard of on tour supporting Wet Wet Wet. More info req’d

Death By Monkeys – Orig name for punk band (2002), All Rights Rejected.

Death Kit – (Jan69-June72) feat: Ralph Holden (gtr), Dave Lacey (bass), Tristram Shepard (drms), Nick Morgan (sax), Charlie Morgan (gtr), Jim Stewart (voc), Carolyn Stewart (voc), Mark Lockett (keyboards), Steve Tier (keyboards). Began as a three piece blues band based in Crosby called WASP. They expanded in 1970 and began to explored multi-media, incorporating poetry, light-shows and theatre. They wrote their own material which was primarily influenced by Pink Floyd, Soft Machine, Frank Zappa, Miles Davis and the Velvet Underground. In late 1971 they became based at the Great Georges Community Arts Centre in Liverpool where they performed at ‘Terminal Experience’ in April 1972, an event created by Bill and Wendy Harpe. Their final performance with this line-up was in late June 1972 at Liverpool University where they were on the same bill as Roxy Music and Robert Wyatt’s Matching Mole.

Death Kit – band (Jul72-Aug73), feat; Nick Morgan (sax), John Watkins (gtr), Charlie Morgan (gtr), Arther Dick (gtr), Mick Trim (keys), Janet Gregory and Les Roberts (flutes), Jim Stewart (voc), Carolyn Stewart (voc), Chris Dufton (bass) who replaced Dave Lacey, Brian Harcombe (drms) (ex Shop Soiled, Filibuster, later Restless and many others) joined Jul72. An amazing jazz/rock outfit, sort of Ornette Coleman meets Captain Beefheart. Played with Pete Brown (trumpet), Adrian Henri and Kinks amongst others. Did Edinburgh Fringe 2 years running. Also recorded a bizarre session for BBC Radio Merseyside – listen here. Also involved were Toby and Ro Shannon, who created the lighting and the inflatables and went onto work in the Science Fiction Theatre in the Everyman and also the National Theatre south bank London. John Watkins is father of Matt Watkins (of Holyhead based Mongolian Dethkit)

Debonaires – Southport band (1981-83), feat; Diane Rowland (voc), Mark Lunt (bass), John Kirway (drms), Steve Travis (bass). Rel 5-track demo 1983. Split 1983 and Steve joined Fragile Friends, he rejoined 1984 and they re-emerged as Six

Decemberists – band (1984-87) feat; feat; Colin Pennington (voc,gtr,keys) (ex Tunnel Users, later of James), Andrew Deevey (voc,gtr), Andrew Ford (bass), Chris Harrison (drms), Karen Jones (voc). Karen left to go solo in 1985. Had track Giff Horse on comp LP ‘Ways To Wear Coats’ (Brilliant Genius recs Oct86). Band changed name to Hell Fire Sermons.

D E C I B E L – Liverpool post-punk band (2016–present), feat; Darren Brown (voc,gtr), Pete Carruthers (bass), Tim Kinch (drms). This prolific outfit is fronted by Brown, a veteran of the local scene whose pedigree includes Scream In Silence and Jenny Lind; he also currently performs with the reformed line-up of The Room. The rhythm section is equally seasoned, with Carruthers having served in Subtle Hints, Pure 9, and The Grenades, while Kinch is an alumnus of The Pies. The band’s history is marked by a revolving door of percussionists, with Al Jones, Pete Doherty, and Tim Dale all having occupied the drum stool in previous iterations. On 05.06.24, they released their fifth studio album, the nine-track ‘N O R T H’, which was recorded at Muse Studios and followed a year later by the next album ‘Bones’. Their sound continues to explore the atmospheric and angular edges of the genre. (bandcamp)

Decomposed – West Kirby/Hoylake group (c1986). Feat; Keith Goodwin (voc), Andy Kerr and Mandy Morgan (Iconoclasts, Mere Dead Men). A traditional punk group in the style of The Exploited etc. 1st gig at The Munro in Duke Street (at which Phil Newall was the photographer!), they also supported The Macc Lads at Stairways B’head. Keith was later a lodger with Doreen Allen (Erics/Planet X) and Kenny in their flat in L’pool and worked at Planet X, as well as assisting Doreen with the running of the Frankie fan club. Prev called Fight Back

Ded Byrds – orig name for Walkie Talkies who changed name on the request of Sire Recs who signed them in 1979.

Deecot Co-op – Birkenhead-based experimental group (c1985–1986), feat; details unknown. Primarily documented through their contribution to the January 1986 compilation cassette ‘Birkenhead Blues’, released on the local Bop A Dub label (BOP 03). The project featured the track Let’s Work Together, a title that aligned with the label’s ethos of documenting the grassroots and often collaborative Wirral underground. They shared the compilation with other regional mainstays such as Sean Pugh, The Cool & Deadly, and Box Thirteen.

Deeper & Deeper – Birkenhead-based music fanzine (c1983–1986), by Kevin Murray (editor). Produced from an address on Shelton Road in Prenton, the publication served as a document of the Wirral and Liverpool underground scenes during the mid-eighties. Under Murray’s editorship, the fanzine provided in-depth coverage of local acts such as Half Man Half Biscuit, The Onset, and The 14th Floor, often featuring hand-drawn artwork, gig reviews, and interviews that captured the DIY aesthetic of the era. It was notable for its inclusion of flexible ‘flexi-disc’ records on certain issues, showcasing tracks from emerging regional talent.

DEFCON – Liverpool-based independent magazine and live event series (2004), feat; various contributors. Operating as a satirical and alternative “Anti-Festival” throughout June and July 2004, the project staged weekly gigs every Friday at the Hev’n & Hell venue on Fleet Street. To accompany the performances, the collective produced an excellent free magazine featuring profiles on participating bands, local cartoons, and profiles of eccentric Liverpool characters. The publication was well-regarded for its irreverent wit, notably featuring surreal “fake” live reviews such as a fictional account of pop singer Dido performing at The Grafton. The festival served as a counter-cultural hub during a busy summer for the city’s music scene, showcasing a wide array of underground talent before the organisers moved on to other media and promotional ventures.

Déjà Vu – band (c1980s) prev called Trans Am. Feat; Eddie Robinson (bass), Reggie Seddon (gtr), Harry Seddon (voc), Michael Ryan (drms) who went to America in 1982 and was replaced by his brother Paul. Eddie was replaced for a time by Mark Cullen (bass), and Robbie Watts (gtr) (Cook da Books, Mumbo Jumbo) joined. Gary Jones (ex Fourmost) played guitar for about 2 years. Alan Lynch (Paul Young’s roadie in the Q Tips days) played bass for a bit. Eddie Robbo has been playing with China Crisis recently. Paul says, ‘Harry keeps the name alive in a duo,’ (called Deja Vu 2).  Ian Forshaw (gtr) (ex Second Vision, later Caroline 199) replaced Robbie for 12 months.

Del-Bloods – Liverpool-based psychedelic garage-rock trio (c1991), feat; Robert Parker (voc,gtr), Anthony H. Morgan (bass), J. R. Kyme (drms). Rising from the creative collapse of the Walking Seeds and Mel-O-Tones, the band continued the fuzzy, distorted lineage of their predecessors. They are best known for their 1991 7″ single ‘Black Rabbit’, released on the Seminal Twang label, which featured the B-sides Rose and Razorback. The record was engineered by Kyme at Headscience studios. Robert Parker and Anthony H. Morgan also operated under the moniker White Bitch, a project that shared much of the same sonic DNA as Del-Bloods, prior to their eventual dissolution.

The Delian Pool – Liverpool-based indie-rock duo (2017–2021), feat; Martin Ward (voc,gtr), Kevin Downey (bass). Formed by the former members of the local outfit Cellophane, the group pursued a more mature, atmospheric sound that drew heavily on classic songwriting and understated arrangements. Their debut self-titled album ‘The Delian Pool’ arrived in 2017, establishing their reputation for melodic precision, which was further refined on their 2019 sophomore release ‘Affectedly Yours’. The latter featured standout tracks such as The Longest Day and A Quiet Life. The project came to an end following the tragic death of Martin Ward in 2021, leaving behind a body of work that was highly regarded by peers within the Merseyside music community. (bandcamp)

Deliverance – band feat; Martin Byrne (bass) (ex Martin Malone, Eskimo Chains, Kappa, Mixies Men, Insanity Beach, Synchronicity, Fair Warning).

The Delta Fiasco – Liverpool-based electronic-punk trio (c2006–2009), feat; Nathan Walczak (voc,synths), Nicholas Bentley (gtr,synths), Simon Hilton (drms). Known for their “surgical precision,” the band successfully melded driving guitar riffs with blistering electro breakdowns, becoming regulars at Liverpool’s Evol club night and the Barfly. Their sound earned them comparisons to Interpol and The Faint, and they built a reputation as a formidable live act supporting the likes of Mystery Jets, The Maccabees, and The Little Flames. They released the single ‘That All You Got’ in 2007, which captured their signature mix of soothsayer lyricism and dancefloor energy. Following a series of high-profile support slots and festival appearances, the members eventually diverted into other creative avenues, with Nathan Walczak continuing to work within the Liverpool music scene.

Deluge – Wirral based ‘rock’ group who display there obvious influences (Nirvana, QOTSA, Led Zep etc), a 4 piece feat; Jo Barnes (gtr), Greg Colton (voc), Andy J (bass), and Jon Green (drms). Initially began in 2001 when Jon and Jo started a band (Cid) which basically did covers of Cobain numbers, at this point vocals were handled by Eric Blakemore (now of Cabletwitch) though this was a temporary set to allow them to enter a Battle Of The Bands comp. A permanent vocalist was found with the arrival of Greg Colton (previously of Crescent), the line up being completed after a poster advert in Liverpool was answered by Andy J, (previously of Bled Through) and the group began to work on their own material. They obviously enjoy The battle of The bands comps as they are currently (03/04) down to the last 4 of a L’pool comp, the prize being a trip to New York with free studio time.

Dementia – Merseyside punk band (1983-85), feat; Jimmy McVeigh (voc) (ex Reiner Chaos, Das Reiner), Tudor (gtr) (ex Public Disgrace, Gone To Earth, Das Reiner), Mike Poole (bass) and Peter Hurst (drms). Signed to Skysaw recs & rel LP ‘Easy Way Out’ (1984). Played Rock For Your Rights Fest (Nov85). (hear album)

A Design For Living – Ormskirk avant-garde band formed in 1977 by John Talbot, Steve Whittle, Steve Wood and Geoff Cook. Rec LP ‘7 Objects’ but was never released. Evolved through various personnel changes into The Flag, Marinebeat and finally The Paper Tribe. The musical style also changing from a raw edged “summer of punk” guitar-driven vibe to a post punk electronica. This fertile time was punctuated by support slots for various bands including Howard Devoto and Fad Gadget as well as headliners, usually in L’pool or Bristol. Steve left the band in 1980 but rejoined the Beach Bastards in 1988.

Destroyers – band of mid to late 70s, feat; Ian Barry (bass) (later of 3d A Fish in Sea, Snapshots, Sneax), Mark Barry (gtr), They played Erics more times than any other band (resident band early 77 to early 78). Ian has sinced moved to California & Mark is recording a Granada TV (Jan03) for Peter Hooton (The Farm) about the Liverpool scene in the late 70’s early 80’s.

Devoid – Wallasey band (formed 1988), feat; Loui Fellows (voc) (now of Goat Throttler), Carlo Regadas (gtr) (later Carcass), Stu Crosbie (drms), Paul Craig (bass) and Jim Dawson (gtr). Carlo and Paul lived Liverpool side but the rest were from the Wirral. Alongside Carcass and Anathema they were the only death metal bands from L’pool on offer in the day, 1st demo “Human Plague” sold nearly 500 copies (in fact, more than the LP sold!) Played quite a few decent shows with the likes of Carcass, Benediction, Cerebral Fix, Sick of It All, Harmony as One, Downfall etc. Loui left just after the LP ‘Blackened Empire’ on Skysaw recs was rel, he managed to help them find a new vocalist but unfortunately the band didnt last too much longer after that, they split when Carlo left to join Carcass. Ian Burrows (gtr) and Chris Price (bass) were orig members with Loui and Stu and they went to the same school. Unfortunately this line up didn’t last that long due to personal issues.

De Zootman Band – Wirral band (c1987) involved with WASP collective. Feat; Daz Walker (voc), Lee Humphries (gtr) (later Warfare), Martin Walker (gtr), Ian Humphries (bass) Cliff Morrow (drms) (later Tin Soldiers). Liam Johnston (aka Liam Trotsky) says, ‘My early involvement with the Zoots was rehearsing with Lee, Ian, Martin and Daz on drums! Never had a name then, but later Daz went on vocals and they ended up getting a deal and touring the UK’s universities – can’t remember why I left, but I’ve done it with numerous bands. Got a very short attention span.’

Dharma Bums – Liverpool-based indie-rock band (c1987–1989), feat; Andy Holland (voc), with various members. Fronted by the prolific Holland, a veteran of the Merseyside scene whose extensive CV includes The Vernons, Clocktower, Kelso, and later The Magic Carpets, the group took their name from the Jack Kerouac novel, reflecting a beat-influenced, bohemian aesthetic. They were regulars at venues like the Bluecoat Arts Centre and The Picket, carving out a niche with a melodic, guitar-driven sound that stood apart from the more polished pop of the era. While the band recorded several demos, including the track The World Outside, they never secured a major label deal. Following the group’s dissolution, Holland continued to be a central figure in the local music community, eventually forming The Magic Carpets in the 1990s.

Diamanthian – Liverpool-based death metal band (2004–2010), feat; Peter “The Swine” Deaves (voc), Paul “The Ripper” Robertson (gtr), Steve “The Butcher” Wood (bass), and various drummers including Kris “The Killer” (early) and later session players. Building a reputation for a relentless, “old school” death metal sound, the band are best known for their 2009 full-length album ‘Arcana Doctrina’ (often cited as Arcana Doctrine), released via the specialized extreme metal label Ossuary Industries (OI-06). The album featured tracks such as Christ Dementia, Curse of the Nephilim, and Awakening the Leviathan, characterized by guttural vocals and surgical guitar work. Despite garnering positive reviews in the underground metal press for their uncompromising style, the group disbanded around 2010.

Diamond Sutra – Liverpool alternative project (formed 1997), feat; Jeremy (Jem) Kelly (gtr, voc). Following a storied career as a core architect of the “Liverpool Sound”—most notably as the guitarist for The Wild Swans and co-founder of The Lotus Eaters (with Peter Coyle)—Kelly formed Diamond Sutra to explore a more experimental, multi-instrumental direction. The project bridged the gap between his high-profile 80s work and his late-90s reunion with Coyle. Diamond Sutra solidified his reputation as a versatile songwriter who could move between the lush pop of Care (with Ian Broudie) and the more angular, post-punk leanings of Psycamesh and The Lovers. Shortly after the band’s formation, Kelly refocused his energy on the 1998 Lotus Eaters reunion, which led to the release of the album Silentspace.

Dick Smith Band – New Brighton 5-pc band (formed 1978), feat; Dave Barrett (voc), Steve Barrett (bass), Paul Downes (gtr), Paul Madden (guitar), Steve Swift (drms) replaced by Paul Conway Stuart. Rel, 7″ Motorway Madness (1979 on Smile) and 7″ Way of the World on own Hologram label (HOL001 1980). A retro album ‘We Mean It’ (rel 29.01.19).

Dirtblonde – Neston based outfit who are picking up regular gigs in L’Pool and Manchester. Feat; Lula Blue and Ivan Hell with a drum machine. They make a truly wondrous racket, with gigs generally collapsing after about 20 mins. Have signed to Regular Beat Recording Company, and a split single, (other side being Acton Bell) (Oct04)

Discocaine – project of 1990s by Peter Hurst (ex Marshmallow Overcoat, Whiskey Priests), then London based. See his profile in H section.

Diverse Records – Runcorn label run by Eddie Smith (of Beyond The Implode) 1979-80. Released 2 Eps by the band.

Divine Thunderbolt Corporation – band (c2004) named after the Jap WW2 Kamikaze pilots formed by Tim Whitaker & feat, Jake Brockman (also Echo & The Bunnymen), Andy Eastwood (voc), Kate Milner (voc) and Pete DeFreitas after the split of Sex Gods. After Pete’s death, his brother Frank joined on bass. Mike Mooney (ex Sex Gods, later of Spiritualised) also feat at some point.

D:Jenifus – band (formed Jan03) changed name to Hyper Traffic (Jan05) Orig drummer Gary Pennington left to concentrate on X-Cell.

Tymon Dogg – musician from Formby (real name Stephen Murray, born 1950). Best known for being involved with The Clash (particularly the song Lose This Skin) and later a member of Joe Strummer’s band The Mescaleros. He began his musical career at the age of 15, playing at the Cavern Club and Peppermint Lounge.

Doghouse – rock band formed 1997, feat; Andy Penington (gtr) (ex Insanity Beach), Rob Carubia. More info req’d.

Dollop – Liverpool indie?rock/psychedelic/post?punk band (c2023–present), feat; Stan (voc,rhythm gtr), Gregory (lead gtr, backing voc), Joe (bass), Reuel (drms). Formed in early 2023 shortly after finishing university, Dollop have carved out a distinctive presence in the Liverpool scene with meticulously crafted, stylistically adventurous songs that draw on post?punk, psychedelia and jazz influences, channelled through explosive and theatrical live shows. Their debut single A Dog Indoors was released in early 2025 to strong local praise, while follow?up singles Floating Voter (2025) and My Poor Wet Foot (31.10.2025) further showcased their evolving sound and received attention via outlets such as BBC Introducing and regional gig coverage. The band have played sold?out headline shows in Liverpool, including a notable night at Metrocola, and continue to build their repertoire and live profile with sets across Liverpool and beyond as they work on new material. (website)

Donnyfatso & The Bellybuttons – punk band (c1987) from Maghull, feat; Donnyfatso (voc) (editor of Get Set Go zine), Macker (gtr), Kev C (bass), Ian (drms), John (gtr). Played debut gig at Deyes High School (26.09.87) for 15mins before someone turned the PA off! More info req’d.

Dorian Gray – band of early 80s feat; Ray Greenall (bass), Brian Cornthwaite (voc) and Steve Reddy (keys) who formed Some Party. More info req’d

Double Automatic Jackpot – band (2003). Rec EP ‘We Told You So’ (Apr03), changed name to The Mags

Down And Outs – Liverpool punk band (2003–present), feat; Mark Magill (voc,bass), Kevin Walsh (voc,gtr), Matt Smith (voc,gtr), Shaun Gilchrist (drms). Formed in the early noughties and heavily influenced by the melodic grit of Leatherface and Stiff Little Fingers, they debuted with the album ‘Boys From The Blackstuff’ in 2004 on Dead And Gone Records. The quartet became staples of the UK underground punk scene, following up with ‘Friday Nights Monday Mornings’ and ‘Forgotten Streets’, while members also spent time in crossover thrash outfit SSS. They remained productive well into the next decade, releasing the 2018 album ‘Double Negative’ and the single Lovestruck in 2025, maintaining a sound defined by anthemic choruses and Scouse lyrical sensibilities. New album ‘Disconnect’ (17.04.26 on Brassneck Recs)

Drakes – band (formed 1991) feat; Zip Lob (James Hancox) (keys,gtr,voc) (ex Nice Party, later Moon), Drake Mallard (Russ Williams) (bass,voc) (ex Nice Party), Spicey Spicey (Stuart Williams) (gtr,voc,keys) and Grez Romance (Gary Hodgson) (drms). Rel 7″ Shady Man. James explains; ‘We used to turn up for gigs in 2 battered Austin Maxis and wore 60’s leather jackets of the most ridiculous styles and colours as we could find. Of course we were into drugs it was the time of the Mondays and the Roses. The Drakes also done some gigs supporting serious bands under the pseudonym of “the Bootleg Wankers” the first being in Storeys, Widnes and we all had these stupid wigs on, mine was a Tina Turner one and I must have looked like Pat Sharp with rabies.’

Dream Legion – Ian Lewis (voc,keys) (ex Precautions, Lilac Trumpets, Alternative Radio), Martin Drury (voc,gtr). Formed as duo in 1986 and built up healthy following in Merseyside and N Wales. Reld dance mix version of “Brown Eyed Girl” (2000) feat. Marty Stone (voc) and was a hit in Europe. Re-introduced full live band with Ed (drms) who was replaced by Mike Baird (ex-Sahara Crew, Pyjama Party). Martin replaced by Ian Davies in 2005 (ex Look Out Oscar, Sahara Crew, Dansette Alligators). Ian Lewis runs Whitby Studios

Dream Play – orig name for DaVincis

Dregs – punk fanzine from mid-90s edited by Duncan who lived off Catherine St but used his friend’s (Gary) house as a secure address. Ran for at least 5 issues & noted for intelligent & humourous content. Duncan, Gary & Mick Mada put together a punk picnic at Sefton Park before a Fugazi gig at the uni 1990.

The Drellas – psyche-indie band (c2010), feat; Tommy Scott (voc,gtr) (ex Space), Phil Hartley (bass) (later Super Fast Girlie Show), Allan Jones (drms). Rel single Violence is Art. (website)

Drills – more info req’d

Drive – band from Woodchurch (formed 1989), feat; Iain Roachie (voc,gtr) (later of Dina), Jeff (drms), Dan (bass). Rel singles No Girls and Greasegun, which were packaged year later as a mini-LP ‘Greasegirls.’ Next single in 1991 Go Out Be Happy was described by the NME as ‘shit’. Then an LP ‘Out Freakage’ (1992).  (spotify)

Drowning World – duo (c2007) formed by Joanne Louise Griffiths (ex I-Lands) who is a solo artist

Drums In The Night – more info req’d

The Dry Retch – band (formed 1987), feat; Aussie John (voc,gtr) (ex Sonic Rednecks, Burning Eyes, Haddock Fish Beast), Dave Whyte (bass) (ex Instant Agony, Sonic Rednecks, 0898), JP (gtr) (ex Head Of John, Sonic Lodge, Naut), Wils (drms) (ex Head of John, Mard, Naked, Spudgun, Bronx). Rel albums, ‘Columbus Was Wrong’ (2002 re-rel 2021)), ‘The World Is Square’ (2003), ‘The Eagle Has Fucked Off’ (2003), ‘Play The Stooges’ (2006),  ‘Smells Like Fat Lass’ (2009), ‘The Origin Of Faeces’ (2019), ‘A Kick In The Gulags’ (17.03.19), Pyongsang Kaensaeng’ (29.02.20), ‘Cultural Backslidin’ (Feb21), then an album of anarcho-punk covers ‘Operation Uranus’ (22.01.22) (bandcamp)

The DSM IV – Liverpool-based electronic rock trio (2018–present), feat; Guy McKnight (voc), Jade Ormesher (gtr,synths), Pav Cummins (drms,synths). Formed after McKnight relocated to the North West after the split of 80’s Matchbox B-Line Disaster, the band takes its name from the American psychiatric manual, reflecting lyrical themes of mental turbulence and social conscience. They evolved from early online singles like Racist Man and Funland into a formidable touring unit, supporting the likes of The Libertines and Sleaford Mods. Their sound is a dark, industrial blend of acid house beats and gothic noise-rock, documented on their 2023 debut album ‘New Age Paranoia’ and the 2025 follow-up EP ‘Negative Utopia’. The latter features a cover of the Joy Division track Isolation and the original song Pink Lady. (spotify)

Dumb Blondes – band (Southport? c1980), feat; Mick ‘Collo’ Collinson (drms) (later Mayhem). More info req’d

Maxine Dunn – ex vocalist with Mahalia, Steal, CS Drift. currently recording solo album at Studio 33. Ronni O’Keefe producer. Hoping for release 2006.

Dunno – band (pre-1980), feat; Brian Dring (gtr) (now Fag Ash Lil), Kenny Spencer. More info req’d

Dust – Liverpool-based indie-goth band (c1990–1993), feat; Joe Lovett (voc,gtr), Daniel Griffiths (bass), Ian (gtr), Chris (drms). This short-lived outfit emerged from the alternative scene revolving around the Planet X and Pink Parrot clubs. The group included guitarist Ian, a familiar face at the Scene of the Crime club nights. Played the Planet X “Summer Spectacular” in 1992 alongside Small Factory and Jules Verne. They left behind a handful of demo recordings, including the tracks Sand and The Hollow, before dissolving in the early nineties as members moved into various production and session roles.

Dutch Mountaineers – Wirral band (1983-84), feat; Steve Chan (voc,gtr) (later New Frontiers, Just Like June), Tony Ward (keys) (later New Frontiers, Contortion Co.), Ian ‘Bomber’ Beecham (drms) (later H2II), Mark Buckley (bass) (later Back Of Beyond). More info req’d.

Dutch Porn Thursday – band (c2004-05), feat; Paul Robinson (voc,gtr) (ex Stun The Guards, Robbers Dog), Andy (gixxxer) Ireland (bass) and Tony Whitehead (drms). After just a hand full of promising gigs tragedy struck the band when Andy was killed in a motorcycle accident the morning after returning from an acoustic set in Snowdon. Paul says, ‘Many thanks to Patrick Rossiter of “The Post War Wage Slaves” who played bass for the bands next booking just three weeks later, our collective birthday party (all the same week) it would have been Andy’s 22nd. Paul and Tony continue to keep the faith and borrow bass players to jam with but insist that only holistics can provide a like minded bass playing soul.’

Dying Breed – band (St Helens?) of early 80s, feat; Dave Taylor (gtr) (later Snatchback). More info req’d

Dying Habit – Wirral based band (2004); Don’t know anything about them, but they seem to be picking up a few gigs at The Iron Door, Birkenhead